My Top 20 Favorite Non-Horror Movies

Recently someone asked me what non-horror films I liked, and I blanked, because no one has ever asked me that question before. After making myself look like an asshole, I decided I was going to sit down and compile this list in case I ever have to answer this question again. Let’s go!

20. Breakfast at Tiffany’s
old-Blake-Edwards-Breakfast-at-Tiffanys-Audrey-Hepburn-DVD-Review-528

19. Me and You and Everyone We Know

me-and-you-and-everyone-we-know

18. Moulin Rouge
moulin rouge

17. Marie Antoinette
roses10

16. World’s Greatest Dad
dad01

15. True Romance
tumblr_lj8vl45dBU1qfk093o1_1280

14. Ghost World
5521442115_bf5e451fc7_z

13. Gummo
screen-shot-2012-09-01-at-8-13-50-pm

12. Doom Generation
Screen Shot 2013-03-07 at 11.58.00 PM

11. Cry Baby
tumblr_mf5e4m28xa1s0ohebo1_500

10. High Spirits
highspirits

9. Edward Scissorhands
7496_12_screenshot

8. Pink Flamingos
pink-tongue

7. To Wong Foo, Thanks for Everything! Julie Newmar
t4

6. Heathers
heathers-shower1

5. American Beauty
American-Beauty-Kevin-Spacey-Mena-Suvari

4. Blue is the Warmest Color
Blue-Is-the-Warmest-Color-Adele-and-Thomas-blue-is-the-warmest-color-37028370-1920-1080

3. The Nightmare Before Christmas

2. Hedwig and the Angry Inch
hedwig-and-the-angry-inch

1. Lord of the Rings: The Two Towers
the-two-towers-lord-of-the-rings-2318762-960-403

xxx

A Debbie Jellinsky in a Morticia Addams World

There are many filmmakers I have nothing but the utmost respect and admiration for, but there is one in particular that will always hold a special place in my little horror heart.

I was a sophomore in high school when one of their films was released. I had not yet become addicted to the drug that is horror, but I was interested. I couldn’t see horror in theatres because they were usually rated R. I also couldn’t see horror at home because my parents would not let me see R rated films. I was also warned against seeing THE EXORCIST because it’s evil and “bad things happen to people who watch it.” But I always want things I can’t have and I was intrigued by this scary world. I wanted to try it. It couldn’t hurt, right?

One day in Drama Club, a few of the upper classmen were talking about how they had gone to see it, and I told them I wanted to see it as well. “NO, don’t see it,” they warned. “It’s like the sickest shit you’ve ever seen in your life.” They described how it was by this particular filmmaker, a perverse individual responsible for another gross film released a few years prior. I was too young to know about this other film they were talking about (I was twelve when it came out, there was no way my parents were letting me watch that), but was intrigued about this filmmaker.  They were the first horror filmmaker I became familiar with by name. Who was this weird character responsible for creating films that people are too afraid to see? I felt like their work was Horror Level: Expert and I was only a Beginner. I had to work my way up.

When I started at Fangoria, I didn’t know a whole lot about horror films. I had seen my fair share of stuff, gotten familiar with the styles of a few more directors, and considered myself to be Horror Level: Intermediate. But I wanted to learn more, and I wanted to learn everything. Luckily, my very first day in the office I was handed a copy of Fangoria’s 300th issue. Inside was nothing but a list of 300 horror films, chosen by the staff, filmmakers, actors, etc.,  and a short synopsis of each one. I considered this list to be the greatest gift and it became my bible. I vowed to watch every single film, because I needed to.

Flipping through, I saw one of this person’s films and thought it was a good place to start. Remembering my classmates’ warnings about his films, I was ambivalent. I watched it and fell in love with their style; funny without being too cheesy, and totally disgusting.

A few years ago I got a ticket for a ‘talk’ featuring this individual and someone they were collaborating with.  Obviously, I was excited to hear them and learn as much as I could. I go, I’m taking notes, I listen to their  re-imagining of a classic horror gem that never made it to screen, and it’s awesome. Then they say they’re going to be signing copies of whatever they’re selling and I start fangirling a little bit inside because I’m 20 years old and Oh my god I’m about to meet one of my favorite modern horror filmmakers. I start to get really nervous. Not because I’m actually worried that I’ve going to say “Hi!” and then barf all over this person, but because I am generally a socially awkward, painfully shy person and should maybe be on meds.

I wait on line, feeling really cool in my beat up men’s leather and my biker boots, trying to think of something witty to say. There’s a girl in front of me whose arms are covered in horror related tattoos, and looks like what one might envision your stereotypical horror loving Goth girl to look like. She’s engaged in conversation with the filmmaker about horror things. Now it’s my turn. The filmmaker signs my whatever and says they like my necklace (conveniently located on my chest). Clearly not as interested in talking to me as they were with Tattoo Chick. I couldn’t think of a witty reply. My heart sank, mores because my lack of a good response than for their crude comment. Sitting next to them,  Collaborator Person signs my thing and says, “You look like a lot of actresses I know in LA. You should go out there.” Pause. What the hell? Nothing related to the talk, or horror, no “thanks for coming,” but a compliment on my “necklace” and getting told I look like a lot of other women. Great. I gritted my teeth, smiled, thanked them both, and made my exit.

I felt very discouraged after that. Sure, Tattoo Chick’s tattoos were probably an easy way to make conversation, but the fact that I was viewed and addressed as some bimbo (which I most certainly am not) by someone I held in such high regard really upset me. Maybe I was reading too much into this, but I was pissed. I felt like I would never be taken seriously as a female in the horror industry unless I ‘proved my devotion’ on my body. I think I even shed a few black mascara tinted tears that night. It still bothers me, which is why I am writing this.

I’ve had a lot of people tell me I don’t “look like I like what I like” because I am not your stereotypical Goth. I even went on a job interview once and this VP of a popular TV network said to me,  “why don’t you try modeling or acting?” (Another teeth gritting moment. And because I’m an inch too short and my ass is too great, that’s why).

Once I was talked into dyeing my hair black because it “matched my personality.” I thought about it. Maybe this was my ‘signature look’ that I hadn’t discovered yet? Maybe people would take me seriously if I had dark hair? I went for it and immediately regretted it. My hair was a muddy swamp green color that I could NOT pull off. It looked horrible. I cried and cried and then rushed to the salon the following morning so it could be salvaged. Never again!

I’ve had people tell me I should get tattoos for the same reason. I used to want a bunch, but not anymore. I like tattoos on other people, but they’re just not for me. Plus I kind of have this debilitating fear of needles that sends me into a panic attack every time I have to get blood taken. I’m getting better, but having needles jab me for hours on end is simply not my idea of a good time.

At the end of the day, I simply cannot be something I’m not. I like my big blonde hair. I like my tattoo-less skin. I like ‘natural’ beauty, even if I have to achieve it in unnatural ways. I like wearing a lot of black and black leather and that’s about as Goth as I get. That’s my look, I guess.

If you don’t want to take me seriously because I look more like Debbie than Morticia Addams, you can go fuck yourself. Debbie was crazier than Morticia could ever be anyway.

Burn the Witch (Trend)

But I just bought this dress from UNIF! What will happen to all my crystals?!

But I just bought this dress from UNIF! What will happen to all my crystals?!

Before I begin this post, I would just like to say that I 100% support ‘witchy,’ Stevie Nicks-esque fashion, like I am wearing in my blog photo. In fact, Stevie Nicks has often been accused of being a witch, which she vehemently denies. I blame my mother’s obsession with the songstress. She actually almost named me Stevie. It’s borderline disgusting how many shawls, capes, long skirts, lace dresses, vintage hats, and gunne sax dresses she has passed down to me. However, this post is not about ‘witchy’ fashion, it is about the trend of Wiccan and Satanic imagery in fashion, and society’s current obsession with pretending to be a literal witch.

I think it awesome that some people think I am cool enough to be a witch. The truth is, I am not, and I am not trying to be one. I was born and raised Catholic. I was baptized, went to CCD, had a confirmation. My family goes to church every Sunday. I hate church because I think it’s boring. But I go on Christmas, Ash Wednesday, and Easter to make my parents happy. My father is a Grand Knight of the Knights of Columbus. I went to a Lasallian College where there was a crucifix in every classroom and was required to take religion classes in order to graduate. (If you are currently a student at Manhattan College, Religion and Modern Art is the most amazing religion class you can take, taught by the coolest and smartest professor you will ever have, Dr. Geraci. Take it!)

My father instilled a lot of Catholic beliefs in me, and my mother instilled a lot of spiritual ones. I believe in Reiki, performed by certain individuals who have the actual ability to do it (like my mother), not hipster girls who want to be cool and get their certification online. I believe in crystals and the moon and the law of attraction. I believe in tarot to an extent- I refuse to live my life according to pieces of paper with drawings on them. Lastly, I believe that there are certain individuals that have been blessed with certain abilities- second sight, communication with the dead, etc.

As someone who was raised Catholic, I find it disturbing that its hip to adorn oneself with Wiccan and satanic symbols.  I know they’re just ‘images.’ Hell, I’ve seen some really beautiful depictions of the baphomet. But it doesn’t change the fact that these are religious symbols that have deep meanings, and should not be exploited.

Mini rant about the Cross of St. Peter: the inverted cross first originated in 200 AD, because Peter did not believe he was worthy to be crucified in the same manner as Jesus. It symbolizes unworthiness in comparison to Jesus. So, are all of you such big fans of Jesus that you feel unworthy to wear a normal cross?? I’D LOVE TO MEET YOU ALL AND SHAKE YOUR HANDS BECAUSE OF YOUR HUMILITY. The truth is, the cross of St. Peter became popular because of its use in anti-Christian imagery. So for all of you who wear inverted crosses and try to act like you’re not trying to be trendy… just shut up. (For the record, I’ve never purchased anything with an inverted cross on it because I think it’s tacky as hell).

Tarot, Reiki, pentagrams, crystals, smudging, baphomets, 666’s, inverted crosses- it’s all hip now. Everyone wants to be a witch. Everyone wants to act like they’re the next goddamn Supreme on American Horror Story. Guess what? You’re not. Just like with every other religion that has been exploited for fashion reasons (remember those ugly wooden bracelets with like, saints on them? Rosary beads? Kabbalah bracelets?) I believe it’s wrong to exploit any religious practice because it’s trendy. Religion is a deeply personal and intimate thing. Which is why people go to their respective churches, temples, mosques, etc., to worship and pray to whatever god they want. Not emblazon it on their clothing and instagram the hell out of it because it’s trendy. I find it offensive that someone who DOES believe in the Cross of St. Peter, and is unworthy to wear a normal crucifix is now lumped in with people who are only trying to make a fashion statement, and couldn’t give less of a shit about the religion its based off of.

What really sucks about individuals expressing their ‘religion’ via their clothing and whatnot is that not all of them are cool as Satanism and Wicca. Actually, none are. Have you ever seen someone walking around decked out in crosses and images of Jesus preaching their love of the Bible? They’re probably a homeless person on the NYC subway, or some evangelist standing outside of the underground entrance of Port Authority, or standing on the street somewhere passing out pamphlets. You see them and think, “Ugh, no one cares! Stay away from me! I don’t want to be saved.” Well, you’re just as annoying. No one cares if you are a “witch,” and no one cares if you are “Satanist.” No one cares about your tarot, your chakra, your new smudge stick, your crystals, or your black flame candle.

I know that there are too many clothing companies to even list that are capitalizing on this trend. It exists, it’s annoying, and there’s nothing I can do about it. I’m just asking that if Hinduism, Catholicism, or any other religion were just as ‘trendy,’ would you flaunt images of the crucifix with a lifeless, butchered, Jesus Christ? Would you go around severing people’s heads trying to be like the Goddess Kali?

Please, have respect for your beliefs – if they’re really you’re beliefs- and keep it to yourself, instead of shoving it in everyone’s face because it’s the cool thing to do. I’m seeing a lot of Jehovah’s Witnesses of fashion and it needs to stop.

xxx, samfox

Rape and the Horror Heroine

There’s nothing I love more than seeing a male character in a film that kicks ass and is generally awesome. Timothy Balme (Evil Dead), Orlando Bloom (Lord of the Rings), Gerard Butler (300), Malcolm McDowell (A Clockwork Orange) and Bruce Campbell (Evil Dead, Evil Dead 2, Army of Darkness) are among my favorites. I think it’s part admiration, part jealousy, for I am a woman and I will never be as tough or badass as most men in the world. Or maybe it’s the fact that all male horror heroes have the ability to kick ass on command, while horror heroines have this funny little switch in their vagina that, once flipped via rape, they can start kicking ass.

In every horror movie (that I can think of off the top of my head right now) with a female in it, the female is raped, abused, or extremely traumatized. ‘Rosemary’s Baby’, ‘House of the Devil’, ‘I Spit on Your Grave’, ‘Last House on the Left’, ‘American Mary’, ‘Martyrs’, ‘Evil Dead’ (2013), ‘The Descent’, ‘Teeth’, ‘The Woman’, ‘Ms. 45’, and ‘Audition’ are the ones that come to mind. I’m sure there are more.

I first saw ‘I Spit on Your Grave’ in 2010 when I received ticket to go a pre-screening. Not having seen the original, all I knew about the film was that it was a ‘revenge’ film where some female kicks total ass. Enough of a reason for me. I go with my friend, we sneak Four Lokos and candy into the theatre (I was 20, leave me alone), we’re totally amped. During the movie, not so amped. I loved the gore, but rape as the motivation to go on a rampage is always predictable.

Rape is pretty much the worst thing that can happen to a female, I think we can all agree on that. Naturally, experiencing the worst thing that could possibly happen to you is going to seriously mess with your emotions. Which is why I believe justifying insane behavior because of rape is predictable and  overdone. Utilizing rape is like using a flame thrower to light a firecracker, when all you need is a spark. You’re going to get the same size explosion no matter how you light it, so there’s not need to be all showy and extreme for no reason.

The fact of the matter is that women are insane by nature; we don’t need something as traumatic as rape to make us want to kill you. For example, here is a short list of things that make me/would make me want to go on a slaughter spree: My dog being stolen. Someone cutting off all my hair in my sleep. Getting dumped in a text message. Vegans bashing meat eaters.  “Have you heard of the singer Samantha Fox?”

Maybe I’m just hostile. Or maybe I just have the same fuse as Carrie White. One of the reasons I love and respect the book ‘Carrie’ so much is because she takes down a TOWN of people, and doesn’t need to be raped to do so. The pranks that her classmates pulled on her were messed up, yes, but they didn’t gang rape her and then dump blood on her discarded body. She wasn’t brutalized, because she didn’t need to be.

Now, you can imagine my disappointment when I saw the 2012 film ‘American Mary.’ Warning: I’m about to rant. If you don’t want to know what happens, skip ahead a paragraph. Here I am, excited to see a horror film directed by women, about a woman. And then Mary is raped. Mary shows up to a party at a professor’s apartment (that’s so weird, why would you go?), in a slutty dress (did you really have to wear that?), allows a stranger to get her a drink (really?), and of course, is then drugged and raped by her professor. Of course, she then seeks revenge. Yawn. Over it.

There are horror films out there that feature a lead female that kicks ass. I’m sure some of you will go out of your way to name them all. However, this post is not about every female in horror, its about the females that have to be abused in order to kick ass.  I’m no feminist, but I believe women should be able to kick ass and save all their friends from a homicidal maniac because they can, not because they were victimized first. Dana in ‘Cabin in the Woods’ is a really good example, but …she ends the world. (Which is an accurate metaphor of why women can’t be trusted to do things.) Unless this year’s horror films change my mind, or I dream up my own badass female, I will continue to disagree with the current rape/revenge stereotype of the horror heroine. Which means I will also continue to worship Bruce Campbell as the best horror hero ever.

Groovy.

xxx, samfox

Completely Deranged.

I wish I could be one of those “normal” females that listens to Adele and eats Red Velvet Cupcakes and has wine nights with her girlfriends. Who drools over Channing Tatum and gets excited over Nicolas Sparks novel-movies and probably reads Cosmo. God knows what else. Instead, I am normal in my own abnormal way. I’d prefer steak tartare (or any rare piece of beef, for that matter) over a cupcake, whiskey to wine, and I don’t watch chick flicks. Ever. This is a story of how I came to be the completely deranged individual you see before you. 

One of my earliest memories was sharing a bedroom with my half-sister. I was no older than four, and she was at least seventeen. My side of the bedroom included Barbie wallpaper, stuffed animals, Lisa Frank stickers, and various other things that four year old girls like. Her side of the bedroom was plastered with Neil Gaiman ‘Sandman’ posters and paraphernalia. Marilyn Manson, Nine Inch Nails, and Mindless Self Indulgence cd’s littered a bookshelf. Despite the juxtaposition between the two of us, I couldn’t help but be fascinated by all the strange, dark, things she surrounded herself with. One of her figurines in particular always fascinated me- Hellraiser’s Pinhead. I remember looking at it and thinking “What’s wrong with him? Does it hurt? How did so many nails get into this man’s head?!” Fascination aside, I was terrified. I mean really, I was four! This character both intrigued me and haunted me- I wanted to know everything about this man but I was too afraid to find out. 

One of the first songs I was taught as a child was the theme to ‘Sweeney Todd.’

For what seemed like years, I had extremely vivid, recurring dreams about this teddy bear my mother owned and dolls I owned coming to life and stalking me. The storyline was always the same- I would be walking through a massive version of my house, alone, in the dark, in the middle of the night. I’d hear the dolls/bears whispering, taunting me. In order to get back to the safety of my bedroom, I had to walk by my parents room where the bear and doll were. I’d peer in and see it just sitting there… I don’t remember if it had glowing red eyes or if its lips were moving but I’m pretty sure that doll had a fucking knife. After those dreams, I got rid of all my toys and swore I’d never watch Child’s Play. Now, I understand that my fears were nothing more than what Freud would call ‘The Uncanny,’ but at the time I honestly thought my dolls were going to kill me. 

Before I could even read, I fell in love with Stephen King. Between my mother’s art books and my father’s Stephen King novels, I’d entertain myself for hours by simply staring at book covers. My parents said I was too young to watch horror movies, but they’d never know if I looked at the movie stills inside of ‘Carrie’ and ‘The Shining’ right? I think I was about six when I saw Sissy Spacek covered in blood. Truth be told, her normal face scared me. But seeing that black and white photo of her covered in blood… it gave me chills! Same with Shelley Duvall in ‘The Shining;’ seeing that image of her cowering in a corner while Jack Nicholson is axe-ing down the door was truly haunting.  Once I could read, I devoured as many King novels as humanly possible. The way uses such beautiful imagery to describe such grotesque scenarios is what initially inspired me to write. He is my idol. I wanted to “be the next Stephen King” for a while, then decided I’d rather be a doctor and make buckets of money, then decided I’d rather be happy. Happiness is scaring people. 

I started writing scary stories, about werewolf teens, paintings coming to life, bloodthirsty animals, and god knows what else. I couldn’t stop. My teachers thought I was brilliant and I was proud of my work. I was enrolled in this program for ‘Talented Youths’ by Johns Hopkins because everyone thought I was going to become some great writer. That did not last.

Flash forward to high school, where teachers don’t give a shit about creative writing because everything is college prep. I was constantly made fun of. Whether it was my hair, my glasses, my body, my clothes, the fact that I was a nerd… both the boys and girls I went to school with were relentless. I was pretty much a nerdy ragamuffin who wore hand me downs because my family was poor. It wasn’t uncommon for people to yell “freak” at me as I walked down the halls with classmates. I had no friends. I stopped writing. I had no motivation because everyone around me constantly dismissed creative writing as being silly. Plus I was already made fun of so much, I was convinced that anything I wrote was going to suck anyway. I tried to transfer schools, but the Principal wouldn’t let me. I found solace in Emo music (My Chemical Romance) Edgar Allan Poe. As corny as it sounds, I truly felt like I could relate to Poe’s feelings of melancholy and loneliness; I just wanted to be liked by my peers but it never happened. I got older and started modeling. Now, instead of being hated for being weird, I was hated for being prettier than the other girls. I couldn’t win. It was terrible. Then I graduated, got accepted to a college where no one else from my school was going, and got the hell out of dodge.

College wasn’t much better because I still had no friends, but I was a staircase away from the 1 train, had a dorm room to myself, and an endless supply of horror films to occupy my time. 

I started writing for Fangoria in college when I decided to switch majors. Initially, I was a business major because I felt like it would be the most useful degree I could have. Unfortunately, everyone was an asshole, and I needed to be around people and classes more creative because the boredom of Macroeconomics honestly made me want to throw myself out my dorm window. I switched to Journalism, because hey, writing alway came naturally to me so at least I would get good grades. I started writing for the school newspaper, which I was extremely nervous about because I hadn’t written in years. To my surprise, the editors, my classmates, and my professors raved about my work. I felt like I was back where I belonged. I knew I needed to do an Internship at a magazine somewhere. I said to myself, “If I’m going to do this, I need to get an internship at the only horror magazine that exists.” I emailed Fangoria and a YEAR later I received a response from Tony Timpone.

Although I was not able to write any juicy, featured articles for the magazine, I am still very grateful for the experience. Fangoria showed me that although it is a very niche market, it is possible to make a career out of horror. WHY HORROR? It is my security blanket. It can be beautiful (The Cabinet of Dr. Caligari, Suspiria), disturbing (A Serbian Film, Nekromantik), grotesque (Cabin Fever, Tokyo Gore Police), exploitative (Street Trash, Basket Case), hilarious (Evil Dead, Dead Alive), and much much more. In my opinion, horror can affect an individual emotionally more than any other genre. It’s powerful. 

After Fangoria, I began doing research for The National Science Foundation about video game players having transcendent experiences in MMORPGS. Naturally, I chose the only horror game that exists, Requiem: Memento Mori. This was not a smart move, because the limited number of players made it all but impossible to gather data. I chose to study what made the game ‘scary’- psychoanalytic studies on fear responses, what it means for something to be grotesque, folklore about monsters and mythical creatures, witchcraft, demonology, atmosphere and sound in relation to fear responses… all of which helped me to understand horror better and what causes people to be truly scared. 

Being a female trying to gnaw my way into the horror industry is not easy, both career-wise and socially. Whenever I tell people I want to write horror films, I receive this weird look of shock and pity, as if they’re thinking “Oh you poor girl, what happened to you?” Or people laugh, because they think I’m joking. I am constantly single because I am the ‘weird horror girl who’s into fucked up shit,’ and unfortunately most men who are into the same things I am are sort of… mentally unstable. (One day I’ll be able to have intelligent conversations with another human about horror, one day.) 

While I am not your typical female, I’m glad i’m not. It’s always the slightly weird, outcast kids that really make names for themselves anyway. 

 

Can you relate? Are you deranged too? Did you grow up with the same weird doll nightmares? Let me know below, we’ll talk it out. 

 

xxx, samfox. 

The 6 Horror Films That Wrecked My Soul

There are certain films that, upon watching, make you feel like someone just killed your dog. I doubt very many people willingly watch a film wanting to feel like shit afterwards, but it happens. However, I think feeling extremely depressed after watching a movie is a testament to its greatness; happy endings are easily forgotten, but pain stays with you. So here are the top 6 films that absolutely wrecked my soul and why.

6. Martyrs (2008)

images

Martyrs begins with Lucie, a young woman who had been kidnapped and tortured, escaping her tormentors and fleeing to safety. Twelve years later, she has a strong bond with Anna, another victim of childhood abuse. Although Lucie’s experience is well in her past, she suffers from hallucinations of torture and is determined to seek vengeance against her oppressors. Together Anna and Lucie return to the place where Lucie had been kidnapped and discover another female captive. It is during their efforts to save this girl that shit hits the fan, and history repeats itself.

Why It’ll Wreck Your Soul:  Martyrs has an extremely slow burn. You feel the agony of the victim, and it sucks. And then when you think its over, there’s the final, excruciating twist that makes you want to cry and puke and lose faith in humanity. The final scene perfectly depicts how you feel by the end.

5. Don’t Deliver Us From Evil (1971)

Mais-ne-nous-dlivrez-pas-du-mal-2

Don’t Deliver Us From Evil (or Mais ne nous délivrez pas du mal) is obviously another French film that follows Anne and Lore, two neighbors that board at a convent school. The kicker: they’ve both taken vows to sin and worship Satan. It’s cute! Anne keeps a diary of all of the terrible things they do: seduce local men and then run away giggling when they try to make a move, spy on nuns, and be generally mischievous. When summer vacation starts, the girls are left alone at Anne’s family’s chateau, with only the servants to watch over them. The two girls run wild, wreaking havoc while their parents are away. After summer ends, the girls take part in a talent show at their school, which is where they get serious with their vows.

Why It’ll Wreck Your Soul: Sure, these girls are mildly evil, but they’re just young girls.The final scene alone should be enough to do you in.

4. Nekromantik (1988)

nekromantik_insl

Robert Schmadtke is street sweeper who cleans up roadkill and other pretty nasty messes. One day he decides to bring home a full corpse for him and his wife Betty to enjoy sexually. Unfortunately for Robert, Betty begins to prefer the corpse over himself, and his world is turned upside down.

Why It’ll Wreck Your Soul: This film is fucked up to begin with, I know. It’s pretty much banned in many countries, and you’ll have to hunt around to find a copy of this to watch it. But Jörg Buttgereit manages to turn a topic as ‘strange’ as Necrophilia into something kind of beautiful and sad. Robert’s pain is real and raw, and you’ll feel it too.

3. Red, White, & Blue (2010)

RedWhite&Blue

Simon Rumley’s film follows Erica, a young woman who spends her nights among the bars and beds of Austin. Quiet, her only form of human contact is the sexual type, a string of one-night stands to fill her emotionally void self. This goes on until she meets Nate, who claims to have been honorably discharged from service in Iraq. The two form a strong but hesitant bond. That is until Franki, a wannabe rockstar who is also caring for his cancer-stricken mother (and happens to be one of Erica’s past flings) returns to her life.

Why It’ll Wreck Your Soul:  I can’t say too much here without giving important details away. By the end of this film, you will both feel sorry for, and potentially hate, every main character. And then you’ll want to crawl into a dark hole.

2. The Living and the Dead (2006)

The_Living_and_the_Dead_Poster

Another Simon Rumley film! Okay, so maybe this isn’t horror per se, but it was listed as one of Fangoria Magazine’s top 300 horror films of all time, so I’ll count it. This film follows Donald Brocklebank, his terminally ill wife Nancy, and their schizophrenic son James. As if things aren’t hard enough for poor Donald, he’s bankrupt. He decides to leave Nancy and James alone with a nurse in an effort to solve his family’s financial crisis. Of course, James’s condition begins to worsen because he doesn’t trust Nurse Mary and believes he can take better care of his mother. So he locks Nurse Mary out of the house, which is heart wrenching because James has failed to take his medication and honestly believes he’s doing the right thing. Nancy can’t stop crying, because she knows she’s fucked. James, believing that more medicine will make his mother better faster than the prescribed amount, force feeds his Nancy large quantities of her pills, nearly killing her. James continues into a downward spiral because he won’t take his pills, Nancy continues to get worse because she’s not being cared for. Police finally make their way into the house, relieving Nancy of her son’s care. But as we already saw with Nurse Mary, James doesn’t deal with with other people taking care of his mother…

Why It’ll Wreck Your Soul: If you don’t already feel awful, I doubt the fact that you even have a soul. What personally killed me about this film was the fact that James really is trying to help his mother, but he’s so mentally ill he can’t see that he’s actually killing her. Once Donald returns to his family is when things really gets wild.

1. Maniac (2012)

maniac_ver6

Finally! The number one film that has absolutely wrecked my soul is the Maniac REMAKE starring Elijah Wood. “A remake?! Why a remake, Samantha,” you ask? Well I’ll tell you why! Eliah Wood is a fantastic actor, plain and simply. Joe Spinell was fantastic in the original Maniac, but his appearance made me feel more frightened of him, rather than sympathetic towards him. If you don’t know what Maniac is about, the 2012 version follows Frank, a young mannequin store owner who has a fetish for scalping women. After he scalps women, he staples the scalps to his mannequins and talks to them as if they are his girlfriends. However, when Frank begins to fall for Anna, a beautiful woman who just so happens to photographs mannequins, he becomes extremely conflicted. He wants love, but all he knows is pain and abandonment.

Why It’ll Wreck Your Soul: This is the only horror movie I’ve ever seen, during which I started to bawl like a baby. I truly empathize with Frank. He desperately wants to experience love, because he didn’t have much with his mother, but he doesn’t know how. So he tries to hold onto women by literally taking piece of them to keep with him, but that doesn’t work. And then when he really tries to be with someone, that doesn’t work either. It breaks my heart! The final scene of Maniac is truly one of the most heart-wrenching things I’ve ever witnessed.

What are some soul-wrecking horror films that YOU have seen? Let me know in the comments below!

xxx, samfox